Chapter 9.2. Analysis of Form-building Transformations

Figure 9.7 Ludwig van Beethoven, Piano Sonata, Op. 2, No. 1, first movement, first phrase. Musical extract used courtesy of EMI Classics (EMI CHS 7 63765 2 PM 936).

Figure 9.8 Ludwig van Beethoven, Piano Sonata, Op. 2, No. 1, first movement, beginning of development. Musical extract used courtesy of EMI Classics (EMI CHS 7 63765 2 PM 936).

Figure 9.9 Leoš Janáček, String Quartet No. 1, inspired by Tolstoy’s Kreutzer Sonata, *III. Con moto. Vivo. Andante*.
Musical extract used courtesy of Supraphon.

Figure 9.10 Ludwig van Beethoven, Piano Sonata, Op. 2, No. 1, first movement, beginning. Musical extract used courtesy of EMI Classics (EMI CHS 7 63765 2 PM 936).

Figure 9.11 Johann Sebastian Bach, ‘Ihr aber seid nicht fleischlich’, Jesu, meine Freude, BWV 227. Musical extract used courtesy of Warner Music (Teldec 242881-2).

Figure 9.15 Simplification: Felix Mendelssohn Bartholdy, String Quartet, Op. 44, No. 1. Musical extract used courtesy of Harmonia Mundi (HMU 907287).

Figure 9.16 Simplification: Gérard Grisey, Modulations. Musical extract used courtesy of Warner Music (Erato 0630-15993-2).

Figure 9.17 Complication: Ludvig van Beethoven, ‘Diabelli Variations’, Op. 120. Musical extract used courtesy of Universal Music (Deutsche Grammophon 459645-2).

Figure 9.18 Complication: Iannis Xenakis, Persephassa. Musical extract used courtesy of Universal Music (Philips 442 218-2).

Figure 9.19 Partitioning: Ludwig van Beethoven, Piano Sonata, Op. 2, No. 2. Musical extract used courtesy of EMI Classics (EMI CHS 7 63765 2 PM 936).

Figure 9.20 Partitioning: William Walton, Symphony No. 2. Musical extract used courtesy of SONY Music (01-046732-10).

Figure 9.21 Integration: Franz Liszt, Eine Faust Symphonie, first movement. Musical extract used courtesy of Universal Music (Deutsche Grammophon 449 137-2 GH DDD).

Figure 9.22 Integration: Alexander Vasilyevich Mosolov, Savod. Musical extract used courtesy of Universal Music (Decca 436640-2).

Figure 9.23 Fragmentation: Carl Philipp Emanuel Bach, Keyboard Sonata in F-sharp minor, Wq 52/4, H37: No. 1. Musical extract used courtesy of Universal Music (Deutsche Grammophon 459 614-2 GB).

Figure 9.24 Fragmentation: Györgi Ligeti, Étude 3 (Book 1) ‘Touches bloquées’. Musical extract used courtesy of SONY Music (SK62308).

Figure 9.25 Synthesis: Franz Liszt, Piano Sonata in B minor. Musical extract used courtesy of Universal Music (Philips 427 322-2GH).

Figure 9.26 Synthesis: Lasse Thoresen, Tradlarudl. Musical extract used courtesy of Grappa (ACD 5042).

Figure 9.27 Proliferation and collection: Johann Christian Bach, Sinfonia, Op. 18, No 1. Musical extract used courtesy of Universal Music (Philips 442-275 2).

Figure 9.28 Proliferation: Karlheinz Stockhausen, Gruppen (1). Musical extract used courtesy of Universal Music (Deutsche Grammophon 447 761-2).

Figure 9.29 Collection: Witold Lutosławski, Paroles tissés. Musical extract used courtesy of Polskie Nagrania (PNCD 042A).

Figure 9.30 Fusion: Johann Sebastian Bach, ‘Omnes Generationes’ from Magnificat in D major. Musical extract used courtesy of Harmonia Mundi (HMC 901326).

Figure 9.31 Fusion: Karlheinz Stockhausen, Gruppen (continued). Musical extract used courtesy of Universal Music (Deutsche Grammophon 447 761-2).

Figure 9.32 Fission: Georg Friderich Händel, ‘All we like sheep’ from Messiah. Musical extract used courtesy of Universal Music (Decca 430 488 2).

Figure 9.33 Fission: Witold Lutosławski, Jeux vénitiens. Musical extract used courtesy of EMI Classics (7243 5 65305 2 2).

Figure 9.34 Catabolism: Lasse Thoresen, Ovringar, ending. Musical extract used courtesy of Grappa (ACD 5042).

Figure 9.35 Anabolism: Lasse Thoresen, Ovringar, opening. Musical extract used courtesy of Grappa (ACD 5042).

Figure 9.36a Period: Mozart, Piano Sonata in A minor, KV 310, second movement; Sentence: Beethoven, Piano Sonata in C major, Op. 2, No. 2. Musical extract used courtesy of Grappa (Simax PSC 1125).

Figure 9.37 Crystallisation: Ludwig van Beethoven, Symphony No. 9, first movement. Musical extract used courtesy of Universal Music (Phillips 442275-2).

Figure 9.39 Liquidation: Lasse Thoresen, Illuminations: Double Concerto for Two Violoncelli and Orchestra. Musical extract used courtesy of Grappa (ACD 5008).

Figure 9.40 Analysis of Wolfgang Amadeus Mozart, Piano Sonata in A minor, KV 310, first movement. Musical extract used courtesy of Grappa (Simax PSC 1125).